Emma Claire Foley
untitled (sound)
wet lyric
Thinking of you
and your specific name
a little sphere—
your glass eye in tall grasses
acres of shepherding
instructive pain, continuous
afternoons of don’t know
what’s come over me, points
of light lost on the car
rhyme-center of a shell
desiccate or something easier
animal home for a few days
inclusive—wobbles
and threatens to fall from my hand.
And your name on the grey garden wall
overwintered, bloody
volunteer hands scrape back
your ivy to expose your
splintering light.
Time makes this one
harsher, more definite.
Thinking of you
and our short lives clinging
to the grey garden wall
our time, before
the lower jaws of
hungry tourists
negate us.
Thinking of you means
analyzing your structure
for vulnerabilities. A certain
attitude toward
abstraction. A reasonable definition of
core human concerns.
And the long rows of
rare flowering bushes
survived wintertime
not like us. And the graves
in the wall, gathering evidence for
our model nature left untended
in dangerous and skating love
in the water. The realm
Of pure abstraction underlying
practice. I see it now! The
reduction of friction to pure
friction. Early explosions,
entertainment for children.
Later, more serious, in-
vading form. I see it
sometimes, in the hard points
of light on your face, the
disappointing human term,
the rocks on the beach
Westinghouse. Legionella.
Thinking of you
and the points of light
and the graves in the walls
and where the water isn’t
in airless ugly rooms.
Begin again, this time worse.
Practice human relations
the escalator churn.
No possible training for love.
Only to somehow get under
your rain-darkened walls
and hope without breathing and
kiss together the wet grass
on our odd days off
Emma Claire Foley's work has been published at Second Factory, the Baffler, Tarpaulin Sky, and elsewhere.